Critics’ reviews

Wreck-It Ralph (2012)

17 reviews from 17 publications. Critics’ score 68: 11 positive, 4 mixed, 2 negative.

Back to our review of Wreck-It Ralph

68
Positive
11
Mixed
4
Negative
2

Most critics like Wreck-It Ralph, and the praise gathers around the same two things: the premise, in which arcade characters live full lives behind the screen, and the voice cast, with John C. Reilly’s Ralph and Sarah Silverman named again and again. The mix of animation styles across the different game worlds is admired almost everywhere, as are the 8-bit in-jokes and cameos, which several reviews say land for parents as much as children.

The reservations cluster in the second half. Several critics say the film leaves its best idea behind once it settles in the sugary Sugar Rush world, and that the closing race and chase run long. The spread is wide: a minority find the nostalgia exhausting and the story predictable, and The Guardian and Little White Lies go further, the first calling it a meticulous oddity that never comes alive, the second a cynical film that reduces its premise to a lesson about accepting one’s lot.

Variety
25 October 2012 · Peter Debruge
90*

The review commends the film's brilliant concept, gorgeous execution, nostalgic appeal to multiple generations, and strong voice cast that delivers genuine emotion alongside inventive game-world homages.

Read the full review →
The New York Times
2 November 2012 · A.O. Scott
85*

The review celebrates the film's blend of nostalgia for 1980s arcade games with fresh storytelling and strong voice performances, calling it an ingenious and fun Disney animation that overcomes initial cynicism.

Read the full review →
Los Angeles Times
1 November 2012 · Betsy Sharkey
80*

The critic highlights the film's clever subversion of video game tropes, its retro-meets-modern visual style, and the heartfelt performances that give the story emotional depth alongside its humor and action.

Read the full review →
Screen Daily
29 October 2012 · festival review
80*

A nostalgic affection for vintage gaming and an openhearted family-friendly story of self-acceptance and friendship are skillfully interwoven in this very fun and engaging adventure. The standout concept and blend of animation styles are highlighted as chief selling points.

Read the full review →
RogerEbert.com
31 October 2012 · Roger Ebert
75*

The critic praises the film's creative premise of video game characters coming to life and its inventive art design across different game worlds, while noting that the story builds to an overly long race and chase sequence.

Read the full review →
Empire
13 June 2011 · Simon Crook
70*

The film is a videogame itself, full of in-jokes, cameos and 8-bit affection, with a lovable lead in John C. Reilly's Ralph. It dips into formula in the middle but recharges with inventive action and humour for a strong finish.

Read the full review →
The Hollywood Reporter
25 October 2012 · Justin Lowe
70*

The film is an entertaining homage to video-game culture wrapped in an adventurous road movie with a strong voice cast and diverse animation styles. It casts a wide net for family audiences through its mix of retro references and character-driven story.

Read the full review →
Vulture
2 November 2012 · David Edelstein
65*

The premise is clever and the mash-up of video-game worlds is visually engaging with a likable cast, but the story is mostly predictable and becomes tedious after a while. Director Rich Moore effectively mimics video-game pacing and style.

Read the full review →
Radio Times
★★★ · Alan Jones
60

A mixed bag of frantic action, humorous antics and blunted satire; the nostalgic tribute to retro games is rather exhausting and flags on the home stretch, though kids will enjoy its colourfully cute sense of fun.

Read the full review →
Time Out
5 February 2013 · ★★★ · Guy Lodge
60

The film is seen as a fluorescent funride through an arcade universe that bludgeons with cleverness and nostalgia but lacks charm and human feeling. The zigzagging between artificial environments becomes exhausting despite the dazzling spectacle.

Read the full review →
Slant Magazine
29 October 2012 · ★★/4 · John Semley
50

The film leans too heavily on licensing gags and pop-culture references that feel pandering and fail to save it from being a rote kiddie message movie. While some animation touches and voice work are effective, the overall execution is uneven and overly reliant on brand-name winks.

Read the full review →
Little White Lies
7 February 2013 · 3/2/2 · Chris Blohm
40

The critic finds the film confusing and cynical, failing to deliver on its scintillating premise by reducing the core story to a depressing morality tale about accepting one's lot. Some decent gags and gaming references are noted, but overall it is dismissed as B-grade Disney.

Read the full review →
The Guardian
7 February 2013 · Peter Bradshaw
40*

The critic finds the film a meticulously rendered but bafflingly praised oddity that never quite comes alive. It is compared unfavorably to Monsters Inc and criticized for its nostalgic premise about arcade games.

Read the full review →
/Film
30 October 2012 · 8/10 · Germain Lussier
80

The critic calls it one of the best video game movies ever made and the best animated Disney film of the year. They single out the clever video-game world conceit, inventive gags, and emotional core for praise, while noting minor pacing issues in the first third.

Read the full review →
The Wrap
30 October 2012
80*

The critic finds the Disney animated film a sweet and often hilarious adventure that successfully brings videogame characters to life in a way that engages viewers. Voice performances, especially by John C. Reilly and Sarah Silverman, and the eye-popping game-inspired worlds are singled out for praise.

Read the full review →
Collider
1 November 2012 · B- · Matt Goldberg
70

The critic finds the film takes its best quality—living in a video game world—and leaves it behind for a forgettable candy land, but there's enough humor and sweetness to make it worth seeing, though it lacks replay value. They praise the charming first act with video-game Easter eggs and nods but complain that the Sugar Rush section shifts focus away from gaming references.

Read the full review →
Den of Geek
8 February 2013 · 4 out of 5 · Simon Brew
70*

The critic praises the film for its strong story about outsiders fitting in, beyond just the video game elements, with standout voice performances especially from Sarah Silverman, and effective integration of gaming culture. They note it's visually striking and consistently entertaining, though it slows in the Sugar Rush world.

Read the full review →

Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate