Zombieland: Double Tap (2019)

DeFore finds the sequel entertaining and well worth fans’ time, though its weaker new elements and repeated material make a third installment seem unnecessary. He particularly praises Zoey Deutch, whose performance turns Madison into a consistent source of laughs.

The critic finds the sequel enjoyable and occasionally funny, though plainly inferior to the original. Zoey Deutch’s committed performance and sparky delivery help make the shallow Madison character endure.

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Erbland finds the sequel limp and overly reliant on its predecessor, despite occasional laughs and lively moments. She singles out Zoey Deutch’s performance as Madison as especially funny and endearing.

The review finds the sarcastic zombie-comedy sequel tired and only intermittently lively. It singles out Emma Stone’s palpable boredom as one sign of the film’s weariness.

Smith finds the sequel flawed and less entertaining than the original, though he leaves room for another installment. He praises a late callback Easter egg but criticizes the directionless structure and sidelining of Abigail Breslin’s character.

Katie Rife finds the sequel tedious, with jokes and character dynamics that feel stale and overplayed. She singles out Zoey Deutch as the funniest part, while noting that the film also has a few effective scenes of gory mayhem.

O'Sullivan finds the sequel tired, with a thin plot and smug, conservative jokes. She complains that the script wastes Emma Stone's comic talent, while Bill Murray's end-credits appearance is a bright spot.

Jenkins finds the sequel tiresome, unnecessary and quickly forgettable. He singles out its thin, rehashed material and limp jokes as key flaws.

Simmonds finds the sequel’s humour no longer feels fresh after the decade-long gap. The review’s complaint is that its comedy has lost the appeal of the original.

The critic finds the sequel unnecessary, creatively stale and short on the humour or charm that made the original enjoyable. He gives limited credit to its snappy pace, but singles out the weak writing and bored performances as major flaws.

The critic finds the sequel complacent and emotionally hollow, with its self-awareness no longer feeling fresh. They single out the cast’s charisma, especially Emma Stone’s expressiveness, while criticizing the uninspired comedy and close-up-heavy direction.

Debruge finds the sequel’s familiar irreverent comedy still works, but judges its humor increasingly compromised by the violence it makes light of. He praises the new characters and comic set pieces while criticizing the film’s treatment of women and gleeful mass murder.

Walsh finds the sequel stale, taxing, and weighed down by mustily misogynistic humor. She praises brief flashes of novelty, especially the doppelgängers and Rosario Dawson’s monster-truck moment.

Willmore finds the sequel creatively threadbare and unable to justify returning to its world. She criticizes its reliance on recycled callbacks and pop-culture references, while noting Rosario Dawson fares best among the new characters.

Goldberg finds the sequel surprisingly delightful, though unnecessary and loosely assembled. He singles out Zoey Deutch’s comic timing and characterization as the film’s standout strength.

Surrey finds the sequel charming and worthwhile despite its aimlessness and lack of anything new to say. He singles out the playful spirit of the cast, especially the doppelgänger scenes with Luke Wilson and Thomas Middleditch.

The critic finds the sequel lively and entertaining, preserving the original’s cheeky tone while making room for character growth. They praise Zoey Deutch’s energetic performance but criticize some jokes as tired or unfunny.

Kaye finds the sequel surprisingly funny, though it has little new to say. He especially praises the chemistry among the returning leads and Woody Harrelson’s performance.

The critic finds the sequel somewhat enjoyable but held back by a weak, makeshift-feeling script. The cast, especially Zoey Deutch, brings charm and comic life to the material.

The critic finds the sequel entertaining but says it ultimately falters. They praise the cast and creative action, especially the motel sequence, while noting the inconsistent comedy and underused Little Rock.

The critic finds the sequel an overly familiar redo, though fans may still find it a suitable companion. Zoey Deutch’s performance is singled out as the film’s standout, while its dated humor and ideas draw criticism.

Sinacola finds the sequel stale, unimaginative, and overdue, with little to say beyond repeating the original. He especially criticizes its one-note characters and reliance on sexist stereotypes.

The critic finds the sequel underwhelming, despite its enjoyable humor and the cast’s comfortable chemistry. They particularly criticize the jokes made at Zoey Deutch’s character’s expense as uncomfortable.

The critic finds it an enjoyable but unnecessary sequel that does not match the original. The returning cast brings energy, while predictable plotting and drawn-out battles weaken the film.

Han finds the sequel entertaining at moments but ultimately rotten and stuck in the past. She especially criticizes its dated misogyny, which pits its female characters against one another and makes Madison the target of repeated jokes.