Mark Schwahn takes young people's grievances seriously, sometimes beyond the point of patience. One Tree Hill finds real feeling in familiar family quarrels, but his earnest, dialogue-heavy storytelling makes a decent prospect chiefly for committed soap watchers.
Fi1m perspective
On the basketball court in One Tree Hill (2003), two half-brothers carry their family rivalry into a contest that already matters too much to them. Mark Schwahn gives their teenage unhappiness a practical focus: winning, fitting in and getting noticed. We felt for the brothers because the series takes that need to be noticed seriously. It understands how a young person's immediate worries can occupy the whole day, leaving little room for anything else. The resulting soap is conventional but has enough feeling to reward an interest in its familiar troubles.
Schwahn began as the writer-director of 35 Miles from Normal (1997), with screenwriting credits including Whatever It Takes (2000) and Coach Carter (2005). But the nine-season One Tree Hill, which he created, wrote for and directed episodes of, gives the clearest sense of his priorities. He keeps coming back to young people trying to work out who they are and where they belong within a family. He directed 14 episodes and wrote the majority of the series, giving those recurring concerns plenty of time to establish themselves. In the series, that interest supplies reasons to care even when the quarrels themselves offer few surprises.
The difficulty is that Schwahn's characters are allowed to explain themselves for too long. In One Tree Hill, grievances remain the subject of conversation after we have understood them, and jealousy and sibling resentment need more variation than the writing supplies. The near-absence of humour makes those exchanges tiring. A little humour would let these people become better company without making their feelings seem trivial. We need the occasional reason to enjoy being with them between disputes.
The Royals (2015) shifts his ensemble storytelling to a fictional British royal family, a change of setting that keeps family dynamics at the centre. He created, wrote for and directed episodes of that series too. A grander setting need not change his priorities, but we would still want the same thing from the writing: people who can surprise us after their grievances have been established. Start with One Tree Hill if earnest family soap is your pleasure, and expect to supply some of the levity yourself.
Biography
Mark Schwahn is an American screenwriter, director and producer. He created the WB/CW series One Tree Hill (2003–2012), on which he also wrote episodes, directed and served as executive producer.
Born on 5 July 1966 in Pontiac, Illinois, Schwahn studied at the University of Maryland, earning a BA in radio, television and film. His film credits as writer include Whatever It Takes (2000), The Perfect Score (2004) and Coach Carter (2005). He later created the E! series The Royals (2015–2018), again writing, directing and producing.
