Critics’ reviews

Black Bird (2022)

13 reviews from 13 publications. Critics’ score 76: 11 positive, 1 mixed, 1 negative.

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76
Positive
11
Mixed
1
Negative
1

Most critics find Black Bird gripping, and the praise lands almost entirely on the performances. Paul Walter Hauser’s Larry Hall is called chilling and unsettling in review after review, and Ray Liotta’s turn as Big Jim, in his final screen role, is described as tender and heartbreaking. Taron Egerton’s long conversations with Hauser are singled out repeatedly as the series at its best. The script is credited with being pointed and confidently handled, and the tension holds for most reviewers.

The reservations cluster on pace. Even the warm reviews concede a slow start, heavy dialogue and a stately rhythm, and several note that the true-crime premise is a familiar one. Variety thinks the series runs longer than its story needs, with predictable turns that blunt the dread, and Vulture goes further, finding it stilted and the ending anticlimactic. Otherwise the spread is narrow: eleven of thirteen reviews are positive, and even the doubters praise the acting.

The AV Club
6 July 2022 · A- · Saloni Gajjar
90

The review calls the series an engrossing, tense true-crime drama with a pointed script and strong performances. It especially praises Ray Liotta’s tender, evocative performance in his final on-screen role.

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The Guardian
8 July 2022 · Lucy Mangan
85*

Lucy Mangan calls the series exquisitely pitched and well worth watching despite a slow start. She especially praises Ray Liotta’s heartbreaking performance and the subtle, shifting conversations between Taron Egerton and Paul Walter Hauser.

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The i Paper
8 July 2022 · Emily Baker
85*

Baker finds the series gripping and intense despite its slow pace and heavy dialogue. She singles out the performances, especially Paul Walter Hauser’s unsettling work and Ray Liotta’s tender final role.

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Empire
20 May 2026 · John Nugent
80*

The review finds the true-crime series tense and confidently made, with its performances elevating the story. It especially praises Paul Walter Hauser’s chilling portrayal and Ray Liotta’s heartbreaking final performance.

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Evening Standard
7 July 2022 · ★★★★ · Vicky Jessop
80

Jessop finds the series gripping and classy, despite its stately pace. She especially praises the performances, singling out Ray Liotta’s barnstorming turn and the chilling scenes with Paul Walter Hauser.

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IndieWire
15 July 2022 · B · Kristen Lopez
77

Lopez finds the episode less forceful than the first two, though the performances remain compelling. She especially praises Paul Walter Hauser’s quietly eerie portrayal of Larry Hall.

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The Hollywood Reporter
7 July 2022 · Daniel Fienberg
70*

Fienberg finds the series flawed but ultimately worthwhile, with its familiar premise gaining power as it goes. He singles out Paul Walter Hauser’s layered, unsettling performance, alongside strong work from Taron Egerton and Ray Liotta.

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Variety
6 July 2022 · Daniel D'Addario
60*

The review finds the series solid but overextended, with its dread and predictable turns limiting its impact. It praises Taron Egerton’s vulnerable, charismatic performance as the element that carries the show.

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Vulture
13 July 2022 · Roxana Hadadi
30*

Hadadi finds the miniseries stilted, especially in its pacing and anticlimactic ending, though she considers it worthwhile overall. She praises Ray Liotta’s moving, human performance as Big Jim, which grounds the story.

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Collider
1 July 2022 · A · Abby Cavenaugh
95

Cavenaugh praises Black Bird as a distinctive, suspenseful true-crime series, though she notes that some flashbacks feel out of place. She singles out the powerful performances of Taron Egerton, Paul Walter Hauser, and Ray Liotta.

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NME
90*

The critic calls the series expertly handled and a must-watch, praising its performances across the cast. They single out Paul Walter Hauser’s chilling portrayal of Larry Hall and Ray Liotta’s moving final TV role.

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Paste
7 July 2022 · 9/10 · Terry Terrones
90

Terrones finds the series gripping and engrossing, praising its addictive story and strong lead performances. He especially singles out Taron Egerton’s compelling transformation and the intensity of his scenes with Paul Walter Hauser.

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The Ringer
8 July 2022 · Alison Herman
75*

Herman finds Black Bird worthwhile, despite its pacing and familiar true-crime tropes. She praises its nuanced exploration of how men shape one another, supported by Paul Walter Hauser’s and Ray Liotta’s performances.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate