Critics’ reviews

Black Rabbit (2025)

10 reviews from 10 publications. Critics’ score 58: 5 positive, 1 mixed, 3 negative.

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58
Positive
5
Mixed
1
Negative
3

The reviews lean positive on Black Rabbit, though the consensus is sharply divided. Praise centres on Jude Law and Jason Bateman as troubled brothers, with their chemistry giving the crime drama its emotional force. Admirers find the story of addiction, codependency and family dysfunction tense and involving, even when it becomes punishing. Bateman draws particular praise from The Telegraph, which finds him compelling as the likeable disaster of the pair.

The disagreement is over whether the brothers’ downward spiral earns sustained attention. Detractors find them thinly drawn and difficult to care about, and see the accumulating misery as exhausting rather than moving. Structure also divides critics: The Times calls it daring, while NME finds it awkward despite admiring the performances and family drama. Even The Hollywood Reporter’s strongly negative assessment makes exceptions for Troy Kotsur’s supporting performance and the tense direction of the final two episodes.

Vulture
16 September 2025
85*

The review highlights the sublime brother act between Jason Bateman and Jude Law as the core strength, with their chemistry anchoring the anxiety-inducing story of codependency, addiction, and family dysfunction. It calls the series riveting and devastating with mercurial performances amid a dense, escalating plot.

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The Telegraph
18 September 2025 · ★★★★ · Anita Singh
80

While Law is fine, Bateman excels as the likeable disaster brother in this salty crime saga that builds from a restaurant drama into something more engaging, worth watching.

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IndieWire
18 September 2025 · C- · Ben Travers
50

The critic finds the limited series an unbearably bleak Netflix thriller tracking two brothers on a dismal downward spiral of their own designs. It praises the dedicated cast and scurrying, seamy vision of New York City but calls the story exhausting misery for the sake of misery.

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Variety
18 September 2025 · Alison Herman
35*

The critic finds the Netflix series draggy and dated overall, struggling to sustain interest across eight episodes despite its New York nightlife setting and restaurant milieu. The unpleasant, unrepentant brother protagonists (and the lack of charm or investment in them) are singled out as a core flaw that hinders engagement.

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The Guardian
18 September 2025
30*

The critic finds it almost impossible to care about the lead characters, who are poorly sketched or stupid, making the series a relentlessly cheerless watch despite some action.

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The Hollywood Reporter
16 September 2025 · Daniel Fienberg
30*

The critic finds the series a blandly bleak antihero drama mixing elements of The Bear, Uncut Gems and Ozark, with unlikable bumbling brothers, clichéd plotting and weak character development. Praise goes to the tense, well-directed final two episodes by Kurzel and a strong supporting turn from Troy Kotsur.

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The Times
18 September 2025 · ★★★★☆ · Tim Glanfield

Law and Bateman excel in this crime drama that mixes Ozark and The Bear elements with strong performances and a daring structure.

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NME
19 September 2025 · ★★★★ · Paul Bradshaw
80

The critic praises the gritty thriller with strong performances from Jude Law and Jason Bateman as troubled brothers, noting its character work and thriller elements despite a slow start and awkward structure. They single out the family drama and the actors' performances for praise.

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Den of Geek
19 September 2025 · Erin Qualey
75*

The critic compares the series to Uncut Gems for its stress-inducing examination of behavioral addictions and co-dependency between the brothers, noting it evokes even more anxiety over a longer runtime. It praises the electric chemistry between Law and Bateman and the emotional payoff in the coda despite the despair.

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Collider
18 September 2025 · 7/10 · Maggie Lovitt
70

The review highlights the gripping narrative and standout performances by Law and Bateman as brothers in a dark cautionary tale, praising the ensemble and direction, while noting some flaws in underdeveloped characters and pacing demands.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate