Critics’ reviews

Borgen (2010)

9 reviews from 9 publications. Critics’ score 82: 9 positive, 0 mixed, 0 negative.

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82
Positive
9
Mixed
0
Negative
0

The reviews are unanimous: every notice we have read is positive, and most critics call Borgen compelling before they call it anything else. The praise gathers around Sidse Babett Knudsen as Birgitte Nyborg, whose prime minister is found sympathetic, principled and, as the series goes on, harder than she started. Critics also credit the writing for making coalition politics watchable, for its interest in women holding power and the double standards they meet, and for asking repeatedly what idealism costs once you are in office. Those who return for the later series report that it loses none of its grip.

The spread is narrow, running from good to very good rather than dividing anyone. Such reservations as exist come from one direction. Den of Geek finds the politics simplified and the episodic structure limiting, and thinks the show is closer to personal drama than to political insight. The Times, warm but cooler than the rest, notices how often it is funny. Nobody dislikes it.

Radio Times
25 May 2022 · 5 stars · Lewis Knight
90*

The critic calls the fourth season a triumphant return for the Danish political drama, highlighting Birgitte Nyborg's evolution into a more ruthless figure amid conflicts over Greenland oil drilling, climate policy, and power versus principles. Praise centers on the strong performances by Sidse Babett Knudsen and Birgitte Hjort Sorensen, the timely themes, and the series' focus on women in power.

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The Guardian
7 January 2012
90*

Borgen is a fantastically compelling and intricate drama about politics, gender, change and power, with great characters. It is the best Danish TV drama since The Killing.

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Evening Standard
18 November 2013 · Nick Curtis
85*

The review of the third and final season praises the series as ridiculously compelling, noting it has lost none of its edge, rich texture, or focus on compromise, the personal-political divide, and strong female characters.

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The Telegraph
20 January 2012 · Clive James
85*

The reviewer finds the Danish political drama highly engaging and far from boring, praising its tight narrative, emotional range, and the winning, nuanced performance of Sidse Babett Knudsen as the liberal, principled politician Birgitte Nyborg.

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IndieWire
4 October 2013 · Aljean Harmetz
80*

The review praises Borgen's return for season 3, emphasizing its blend of political intrigue and psychological depth in following the characters' arcs. It highlights the show's compelling exploration of power dynamics and personal tolls as a standout quality.

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The Independent
5 January 2012 · Gerard Gilbert
80*

The preview highlights Borgen as a compelling political thriller from the makers of The Killing, centering on a trailblazing female prime minister played by Sidse Babett Knudsen, and notes its strong ensemble of female characters and focus on integrity amid coalition politics.

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The Times
9 January 2012 · Andrew Billen
70*

Borgen is The Killing with no killing—a political thriller with integrity that is frequently funny and examines idealism versus pragmatism. It features a sympathetic central performance by Sidse Babett Knudsen as an idealist prime minister.

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Den of Geek
21 February 2012 · ★★★★ · Liam Macleod
80

The critic praises the series as an accessible political drama with strong performances, especially from Sidse Babett Knudsen and Pilou Asbæk, and universal political themes. They single out the episodic structure and overly simplified politics for complaint, noting it leans more toward personal drama than deep political insight.

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Paste
2 June 2022 · 8.9 · Kaitlin Thomas
70*

The new season continues the series' strong exploration of women navigating power and politics, offering fresh takes on familiar themes like personal sacrifice and ambition. It singles out the show's handling of double standards for women in leadership and its prescient commentary on climate and international relations.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate