Most critics like Catastrophe a great deal. The praise clusters on Sharon Horgan and Rob Delaney, whose rapport as writers and leads is described over and over as easy, spiky and believable, and on dialogue that moves fast and avoids the usual sitcom shapes. The reviews credit the show with treating an unplanned pregnancy, postnatal depression, infidelity and the grind of raising small children as material for jokes rather than lessons, and with staying funny while it does so.
The reservations are few and mild, and the spread is narrow: fourteen of fifteen reviews are positive. The one exception, The Telegraph, judges only the first episode, finds it crude in places and wants more warmth to go with the bite. Variety’s sole complaint about the second series is that it is too short. Critics returning for the final series find the show has kept its quality and ended well.
