Critics’ reviews

How to Get to Heaven from Belfast (2026)

10 reviews from 10 publications. Critics’ score 79: 7 positive, 0 mixed, 1 negative.

Back to our review of How to Get to Heaven from Belfast

79
Positive
7
Mixed
0
Negative
1

Most critics welcome How to Get to Heaven from Belfast as a witty mystery-comedy whose strongest asset is the friendship at its centre. Praise clusters around Lisa McGee’s dry Northern Irish humour, the central trio’s lived-in chemistry and the cast’s handling of silliness alongside more adult concerns. The Guardian singles out Saoirse-Monica Jackson’s performance, while several reviews find emotional weight in the friendships rather than just comic relief.

Reservations concern the machinery surrounding those relationships: dual timelines, elaborate intrigue, uneven pacing and outlandish situations that do not always land. The spread is wide despite the broadly positive consensus. Paste finds an entertaining but overcomplicated series that falls short of Derry Girls’ comic assurance; NME is more firmly opposed, judging the plotting derivative and the shifts in tone unconvincing. The main divide is over whether the mystery sustains the comedy or gets in its way.

The Telegraph
12 February 2026 · ★★★★★ · Anita Singh
100

The critic calls this a madcap chase through rural Ireland that is a hilarious thriller and celebration of friendship, with the comic brilliance of Derry Girls. They single out the twist at the end of episode one and the deft script and cracking cast.

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The Guardian
12 February 2026
90*

The critic praises this frenetic, witty murder-mystery caper from Lisa McGee as a switchbacking rush of joy with verve, acuity and havoc. They single out the sensational performance from Saoirse-Monica Jackson for particular praise.

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Empire
12 February 2026 · David Opie
80*

McGee's signature comedy and the central trio's lived-in chemistry and Northern Irish humour shine, making the show worth savouring despite some outlandish scenarios landing better than others.

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Evening Standard
12 February 2026 · Vicky Jessop
80*

The critic finds the show crackling with dry wit and bonkers gags while exploring complicated female friendships in more adult territory than Derry Girls. They single out the bittersweet flashbacks and dance scenes for praise.

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Variety
12 February 2026 · Alison Herman
70*

The series is a level up in scale and ambition from Derry Girls but sometimes strains under the extra elements of dual timelines and deadly intrigue; it never loses the infectious appeal of the platonic chemistry at its core.

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IndieWire
12 February 2026 · Ben Travers

The critic praises the series as a rollicking mystery from the Derry Girls creator, highlighting the lifelong friends digging into a suspicious death and the blend of genres.

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The Times
12 February 2026 · ★★★★☆

The critic says Derry Girls fans won’t be let down by this mystery-comedy that tackles grown-up themes with unadulterated silliness, like Agatha Christie meets Marian Keyes. They single out the effortless twists and emotional heart amid the high jinks.

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Digital Spy
12 February 2026 · ★★★★ · Laura Jane Turner
80

The critic calls it a brilliant must-watch mystery and more grown-up Derry Girls, praising the distinctive genre-bending story, strong female characters, and soundtrack while noting some pacing issues.

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Paste
12 February 2026 · B · Saloni Gajjar
77

The critic calls it an entertaining but bumpy ride as a buddy dramedy with too many detours that does not reach Derry Girls' comic heights or narrative confidence.

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NME
12 February 2026 · James Mottram
40*

The critic finds the series uneven and derivative, struggling in the long shadow of Derry Girls with a convoluted blackly comic murder-mystery plot that feels quirky for quirky's sake and tonally inconsistent.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate