Most critics like it, seven of twelve, and the praise gathers around the same decision: the story is widened to take in the Osage people and what westward expansion cost them. Several reviews find this handled with care rather than lecturing, and say the series keeps the warmth and homespun plainness that readers of the books expect. The young cast draws steady approval, Alice Halsey’s Laura in particular, along with the sisterhood between Laura and Mary and a sincere, unembarrassed ensemble.
The spread is wide, and the British press is the coolest. The Telegraph and The Times both call it sanitised, too tidy for the streaming age to justify a remake, and The i Paper finds the moralising sorts characters too neatly into good and bad. The AV Club calls it a stiff digest of the books, with one episode, directed by Erica Tremblay, standing well above the rest. Even admirers concede it plays safe with the history it has chosen to confront.
