Critics’ reviews

Mare of Easttown (2021)

11 reviews from 11 publications. Critics’ score 76: 10 positive, 1 mixed, 0 negative.

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76
Positive
10
Mixed
1
Negative
0

Most critics like Mare of Easttown, and nearly all make the same case for it. Kate Winslet’s performance is the reason: unglamorous, watchful, prickly, a blunt grandmother detective carrying a dour series without appearing to try. The second cluster of praise goes to the town, a bleak Pennsylvania community drawn with enough regional detail that several reviews treat the show as a portrait of a place first and a murder mystery second.

The reservations gather around the mystery itself. Empire finds it does not always grip as a thriller, Variety says it circles its story, and The Times sees familiar crime-drama tropes under the gloom. The Hollywood Reporter is the one mixed notice, calling the series uneven and occasionally close to tragedy porn. Otherwise the spread is narrow, from a five-star Radio Times rave down to a settled four. Several reviews use the word depressing, and mean it as a warning rather than a complaint.

Radio Times
4 April 2021 · ★★★★★ · Brian McIver
100

Winslet is in stunning form as the put-upon detective and matriarch in this suspenseful drama. The pilot builds a richly detailed world and strong supporting cast around her flawed heroine.

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The Times
20 April 2021 · ★★★★ · Carol Midgley
80

The show is deeply depressing in its focus on poverty, addiction and a murdered young woman, yet Kate Winslet's mesmeric, unglamorous turn as the blunt grandmother detective makes it compelling. Her performance elevates the dour intensity despite familiar crime-drama tropes.

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Variety
5 April 2021 · Daniel D'Addario
80*

Winslet's subtle, watchful performance captures Mare's internal chaos and vulnerabilities, elevating the series. The show circles its story at times but benefits from her steady presence amid the town's sorrows.

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Empire
5 April 2021 · Ian Freer
70*

Winslet delivers an egoless, committed performance that makes the ambitious mix of murder mystery, family drama and small-town ensemble watchable. The show doesn't always grip or satisfy as a thriller.

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The Guardian
19 April 2021
70*

The series is a layered portrait of a bleak Pennsylvania community and its residents' overlapping sadnesses, with Mare of Easttown centering on a weary detective navigating professional and personal burdens. Kate Winslet's defining, unglamorous performance anchors the drama, which balances crime-solving with psychological depth and community endurance.

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The i Paper
19 April 2021 · Emily Baker
70*

Winslet gives a nuanced, naturalistic performance as the prickly detective Mare Sheehan. The series succeeds best as a slow, gloomy portrait of a troubled small town and its residents.

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Vulture
18 April 2021 · Matt Zoller Seitz
70*

The series starts out looking like a familiar crime drama but distinguishes itself through strong characters who grow on viewers. It pivots from crime drama to character study and exploration of grief, making it more than a basic mystery.

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The Hollywood Reporter
5 April 2021 · Inkoo Kang
60*

The series is an uneven but masterfully suspenseful portrait of a small town and its detective, anchored by Winslet's sturdy performance. It occasionally veers into tragedy porn and lacks consistent focus.

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Collider
18 April 2021 · A- · Jeff Sneider
90

The review highlights Winslet's dynamite, Emmy-worthy performance in this realistic and melancholy murder mystery that captures the struggles of a blue-collar Pennsylvania community.

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NME
19 April 2021 · ★★★★ · Dan Seddon
80

The critic calls it a must-watch crime drama and praises Winslet's magnetic performance as the bleak, resilient detective at its center in this gripping yet depressing small-town mystery.

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The Ringer
19 April 2021 · Alison Herman
75*

The critic finds the series a bleak, unsparing character study that marks a strong return to television for Kate Winslet, with a lived-in sense of place and ensemble work elevating it beyond standard crime drama. She singles out the regional specificity and Winslet’s unglamorous performance for praise while noting mixed results in handling some contemporary themes.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate