Critics’ reviews

MobLand (2025)

12 reviews from 12 publications. Critics’ score 55: 4 positive, 4 mixed, 4 negative.

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55
Positive
4
Mixed
4
Negative
4

The reviews are evenly divided between positive, mixed and negative, but Tom Hardy’s presence as the central fixer draws praise across much of that divide. Critics repeatedly single out his charisma and delivery as reasons to stay with MobLand, even when the surrounding gangster story feels familiar. The more favourable reviews also enjoy the morbid humour, extravagant performances and plotting, finding enough entertainment in the cast to make the well-worn conventions tolerable.

The disagreement is over how much those performances can carry. The AV Club embraces the ensemble and work-family tensions as strengths of an effective genre drama; The Telegraph finds the supporting characters weak and Helen Mirren’s performance particularly poor. Reservations elsewhere cluster around sluggish early pacing, exaggerated accents and recycled Guy Ritchie mannerisms. The spread is wide: what some critics accept as a satisfying crime saga, others find dated, bland or too short of fresh ideas to sustain interest.

The AV Club
3 June 2025 · Brian Tallerico
80*

The review positions MobLand as the quintessential example of 'dad TV,' succeeding through star power, wish-fulfillment archetypes, and relatable work-family tensions. It praises the over-the-top performances, clever plotting, and ensemble that grounds the crime saga while embracing its genre conventions.

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Empire
4 April 2025 · David Opie
70*

The series gets off to a promising start thanks to Tom Hardy's charismatic fixer and a star-studded cast including Pierce Brosnan and Helen Mirren, but the story feels by-the-numbers and familiar.

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IndieWire
30 March 2025 · B- · Ben Travers
70

The critic finds the series a slick but familiar gangster drama buoyed by Tom Hardy's distinctive voice and presence as the central fixer. It highlights the morbid humor and gritty tone from the Guy Ritchie influence while noting the limited early episodes leave its longer arc uncertain.

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Evening Standard
28 March 2025
60*

The critic describes the series as a silly, grisly Guy Ritchie-style jaunt with entertaining performances from Tom Hardy and Helen Mirren, but ultimately finds it nothing new beyond a few highlights.

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The Times
30 March 2025
60*

The critic highlights Hardy as magnetic in this dark violent crime drama while noting issues with accents and other elements in the stellar cast.

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Variety
28 March 2025 · Aramide Tinubu
50*

The crime drama has a sluggish start with slow pacing in the first episodes despite its talented ensemble, though some compelling revelations emerge later and the cast leads the charge.

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The Guardian
29 March 2025
40*

The critic finds the series a dated 1990s-style gangster throwback with cartoonish accents and phoning-in performances from its starry cast. Tom Hardy stands out as the best element in an otherwise mediocre show.

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The Hollywood Reporter
28 March 2025 · Daniel Fienberg
40*

This derivative Paramount+ crime thriller offers mumbly menace from its leads and a tremendous cast but feels vague and bland in early episodes with little to distinguish it from similar gangland dramas.

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The Telegraph
28 March 2025 · ★★ · Anita Singh
40

The review criticises the tiresome Guy Ritchie clichés and weak supporting characters, including a ghastly Helen Mirren turn. Tom Hardy provides the main entertainment value despite the flaws.

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The Independent
31 March 2025 · Ed Power
30*

The series fails to deliver swagger or irreverence despite strong raw materials and a starry cast. It is a rote tale of gangsters that tries the viewer's patience.

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Collider
28 March 2025 · 7/10 · Nate Richard
70

The review praises the star-studded cast and Guy Ritchie's knack for compelling TV, calling it a familiar but satisfying gangster saga with twists and magnetic performances. It notes the formulaic story and overly dark lighting as drawbacks.

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NME
31 March 2025 · Jordan Bassett
55*

The critic finds the series a familiar but funny crime caper with the usual Ritchie hallmarks of violence, convoluted plots and sharp-suited gangsters. Tom Hardy stands out as the best element, but the show feels like dated self-parody with nothing new to offer.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate