Critics’ reviews

Only Murders in the Building (2021)

8 reviews from 8 publications. Critics’ score 75: 7 positive, 1 mixed, 0 negative.

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75
Positive
7
Mixed
1
Negative
0

The reviews lean warmly positive, and almost all of them land on the same pleasure: the chemistry between Steve Martin, Martin Short and Selena Gomez. Critics describe the series as charming and fizzy, a true-crime parody that works best when it stops parodying and settles into its own mix of the funny, the strange and the sad. Several single out the Upper West Side setting, and more than one notes that Gomez holds her own against, and sometimes steals scenes from, the two veterans. The recurring theme is loneliness and growing old, handled lightly.

Where critics part is over whether the comedy actually lands. The Hollywood Reporter finds the jokes inconsistent, though the mystery compensates. The Guardian goes further, calling the series pedestrian and its humour only mildly amusing. The spread is narrow, from lukewarm to very fond; nobody dislikes it, and nobody is quite calling it essential.

The Telegraph
31 August 2021 · ★★★★
80

The show is a winsome caper grounded by the delicious double act of Steve Martin and Martin Short, with pathos, intrigue and lashings of charm. It evokes Manhattan lovingly and serves as a moving rumination on growing old while delivering a bonbon of a series packed with cameos.

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The Hollywood Reporter
24 August 2021 · Daniel Fienberg
70*

The show is a pleasant, fizzy trifle that does not consistently land its comedy but compensates with an effective whodunit and angsty mystery. Selena Gomez's performance is singled out for stealing scenes from the veteran stars with her delivery and poignancy.

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Variety
30 August 2021 · Caroline Framke
70*

The series is at its best when it finds its own sweet spot of funny, strange, and sympathetic rather than parodying true crime. The chemistry between the three leads and the detailed Upper West Side setting stand out as pleasures.

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Vulture
30 August 2021 · Kathryn VanArendonk
70*

The critic finds the series a charming and playful true-crime parody that benefits from the unlikely chemistry among its leads. They single out the rollicking energy and the way it treats its genre elements like an elaborate, clownish setpiece for praise.

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The Guardian
31 August 2021
60*

The series is a mildly entertaining murder mystery that showcases cross-generational repartee between its leads but amounts to a whodunnit with the lull of podcast voice. It offers enjoyable pairings and some later surprises but feels pedestrian overall with jokes that are at best mildly amusing.

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Collider
23 August 2021 · A- · Gregory Lawrence
90

The critic praises the show's ability to balance sharp satire on true crime with an earnest mystery-thriller and deep melancholy character explorations. They single out the tonal complexities, strong ensemble performances (especially Gomez's contrast), and effective blend of humor, sadness, and suspense.

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Paste
23 August 2021 · 8.3 · Kristen Reid
90*

The critic calls the series simply delightful, praising the engaging chemistry of Martin, Short, and Gomez as they tackle the murder mystery via podcast. They single out Martin Short's scene-stealing comedic performance and the show's balance of lighthearted humor with effective dark moments and heartfelt character bonds.

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Consequence
23 August 2021
80*

The review highlights the winsome and charming premise that blends true crime podcast culture with intergenerational comedy and New York wit. It singles out the delightful chemistry and performances of the three leads, particularly how the show uses the mystery to explore the characters' personal foibles and loneliness.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate