The reviews split almost evenly, with the positives just ahead, and nearly everyone agrees on where the credit lies. Matthew Rhys is praised across the board for a rumpled, regretful Perry, a man carrying the war around with him, and the recreation of 1930s Los Angeles under director Tim Van Patten is admired even by critics who dislike the show. Several also single out the supporting cast, Chalk and Maslany among them.
The complaints are about the writing. Most critics find the script short on wit and sharpness, the subplots slow to go anywhere, and the violence heavier than the story can carry. Several ask whether this grim origin story needed the Perry Mason name at all. The spread is wide, from warm to hostile: Consequence finds it immersive and entertaining, while The Telegraph tells fans of the original to steer clear and The i Paper calls it aimless, more interested in style than substance.
