Most critics come away admiring the two people on screen more than the series around them. The reviews lean positive, and the praise clusters almost entirely on Oscar Isaac and Jessica Chastain, whose performances are called honest, agonising and the main reason to keep watching a talky two-hander about a marriage coming apart. Several also credit Hagai Levi’s script for catching how impossible neutral conversation becomes once a couple has soured, and for treating separation with some care.
The reservations are about the remake itself. A good number of critics question why Bergman’s original needed revisiting, finding the update familiar, overly stagey or short on fresh thinking about modern relationships; Empire calls it a head exercise without the original’s emotional force. The spread is wide, from warm early festival notices to a cooler run of British reviews, and The i Paper stands alone in finding no chemistry between the leads, which most others count as the series’ chief strength.
