Critics’ reviews

Severance (2022)

14 reviews from 14 publications. Critics’ score 85: 13 positive, 0 mixed, 0 negative.

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85
Positive
13
Mixed
0
Negative
0
IndieWire
16 February 2022 · Ben Travers
90*

The review praises the series as a brilliant and propulsive corporate conspiracy thriller that incisively dissects callous work culture. It singles out the thoughtful creative execution and dual performances for particular commendation.

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Vulture
17 February 2022
90*

The critic hails the series as one of the year’s best new shows for its confident writing, stylish direction, and immersive exploration of corporate erasure and work-life imbalance. It singles out the restrained atmosphere and character arcs for praise while noting some minor flaws in its measured pacing.

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The i Paper
18 February 2022 · Rachael Sigee
85*

The critic finds the series a timely, original and thought-provoking corporate nightmare with Black Mirror-esque unease and dark humour. Stiller's direction and the stunning visuals are singled out for creating a beautifully crafted world.

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Variety
17 February 2022 · Caroline Framke
85*

The critic finds the series starts with unnerving bleakness and corporate dread but rewards patience with a propulsive psychological thriller in its back half, driven by precise direction from Stiller, striking production design, and a strong ensemble led by Adam Scott. They single out the cast's performances and the show's ability to sustain mystery and emotional depth.

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Empire
18 February 2022 · John Nugent
80*

The review praises the slick, stylish direction and endlessly compelling weird premise as a frightening speculative take on corporate culture. Ben Stiller's lead direction and the strong cast, especially Patricia Arquette, are highlighted for their craft and performances.

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Radio Times
7 February 2022 · ★★★★ · Huw Fullerton
80

The critic praises the timely and creepy premise of memory-separating surgery at a sinister corporation, the eerie atmosphere of the Lumon offices, and Ben Stiller's direction of six episodes that builds a sinister tone. They note some early slowness in delivering the central mystery but find the overall portrait of work and its costs impressive and worthwhile.

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The Guardian
18 February 2022
80*

The series is an impressively idiosyncratic comedy-drama about workers whose brains are split between work and home selves. It poses profound questions about identity and free will while skewering corporate culture, with strong direction by Stiller and standout performances.

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The Hollywood Reporter
16 February 2022 · Daniel Fienberg
80*

The critic highlights the show's conceptual strength as borderline science fiction that feels all too relatable, with a fascinating speculative world built around the severance procedure, carried by a stacked cast including Adam Scott and Patricia Arquette. They single out the slow-burn narrative that builds to a thrilling climax and the directors' handling of the retro-futurist design and emotional undercurrents.

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The Telegraph
18 February 2022 · ★★★★ · Anita Singh
80

The Apple TV+ series offers an extreme solution to work-life balance via a brain implant separating work and home memories. It is a hard-to-pull-off mix of workplace satire and dystopian thriller that starts slowly but builds effectively.

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NME
18 February 2022 · ★★★★★ · Ralph Jones
100

The critic calls it the best new TV show of 2022, an absorbing satire-thriller whose premise of severed work and personal memories is executed with great cast, writing and direction by Ben Stiller. It mixes nightmarish corporate elements with frequent humor and striking visuals.

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Collider
7 February 2022 · A · Carly Lane
95

The critic calls the series a compelling workplace thriller with a singular premise and strong direction by Ben Stiller and Aoife McArdle, noting skillful visuals, perspective shifts, and tone separation between the office and outside worlds. They single out the direction and the way mysteries and human connections are handled for praise.

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/Film
7 February 2022 · Vanessa Armstrong
90*

The review hails the series as a mind-blowing, unpredictable workplace thriller and deep character piece that comments sharply on capitalism through its memory-severing premise and strong ensemble performances, especially Patricia Arquette. It notes the first season leaves the story incomplete.

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The Ringer
18 February 2022 · Alison Herman
80*

The series offers a surreal, allegorical take on work-life balance through its central concept at a mysterious corporation. It stands out for its strong performances, especially Adam Scott's dual role, and for maintaining mystery without becoming a frustrating puzzle box.

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Paste
17 February 2022 · 8.1 · Shane Ryan

The critic finds the series strange and frustrating at points but ultimately very good, praising the sci-fi premise as an effective narrative engine and metaphor for compartmentalization under capitalism, along with strong performances especially from Adam Scott. They single out the direction and the way the concept drives the story for praise while complaining about the decision to end on a cliffhanger for future seasons.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate