Most critics are pleased, and pleased in the same way. The reviews agree that the series goes back to self-contained episodes and a hopeful tone after years of darker, serialised Star Trek, and that it feels like the franchise again as a result. Praise clusters on the ensemble, which settles quickly into a likeable crew, and above all on Anson Mount’s Pike, described as sensitive, decent and a straightforward good man at the centre. Several reviews call it the best Star Trek in decades; more than one notes it works as a workplace drama.
Reservations are mild and the spread is narrow. A few critics find the moral lessons cloying or ham-fisted, and Empire says it is content to play the hits without much that is strange or new. Radio Times notes a couple of wooden performances. The one mixed review, from The Times, finds it pleasant but unremarkable, without the excitement of the original. Reviews of the later seasons stay warm.
