Critics’ reviews

Task (2025)

11 reviews from 11 publications. Critics’ score 62: 6 positive, 1 mixed, 3 negative.

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62
Positive
6
Mixed
1
Negative
3

Most critics lean positive on Task, with praise concentrated on the cast and the family stories surrounding its crime plot. Mark Ruffalo and Tom Pelphrey draw particular approval for making the two central men sympathetic, while the ensemble gives weight to the competing pressures on criminals and law enforcement. Supportive reviews find the slow build rewarding, allowing the characters’ troubles to matter when the cat-and-mouse pursuit gathers pace.

The spread of opinion is wide, and the chief disagreements concern pacing and bleakness. Even favourable reviews note an uneven or prolonged set-up; detractors find the plotting predictable and the lack of humour wearing. IndieWire sees kindness and emotional depth in the parallel stories of troubled fathers, while The Guardian finds the drama formulaic, manipulative and short of believable relationships. Comparisons with Mare of Easttown recur, particularly around the warmth and levity several critics find missing here.

Variety
28 August 2025
85*

The limited series is a riveting cat-and-mouse chase structured around competing agendas between law enforcement and criminals. It excels in exploring all sides of the criminal-crime fighter divide through nail-biting setpieces.

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Empire
19 September 2025 · Sophie Butcher
80*

The review praises the richly drawn world, complex family dynamics and engaging ensemble in this dual-protagonist cat-and-mouse tale. It notes the show starts slow but draws viewers in with care and deliberation in the scripts.

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Radio Times
7.9/10 · David Brown
79

Ruffalo is well cast as the careworn FBI agent in this emotionally grounded crime drama from the Mare of Easttown creator. The series is positioned as an understated follow-up focused on a new task force assignment.

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The i Paper
8 September 2025 · Emily Baker
75*

The critic finds the series a slow but rewarding character study that rewards patience with strong performances and emotional depth. Pelphrey's turn as the complex criminal Robbie stands out as particularly compelling.

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The Times
8 September 2025 · Ben Dowell
70*

The critic praises the spellbinding depth and texture of the drama and Ruffalo's magnetic performance but notes the glacial pacing, serviceable plotting and overwhelming doomy darkness without Mare of Easttown's warmth or levity.

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The Telegraph
8 September 2025 · Anita Singh
50*

The critic notes plenty to like in the glum crime drama but says it cannot match Mare of Easttown due to its slow pace, long set-up and complete lack of humour. Ruffalo and Pelphrey elicit sympathy but the tone is relentlessly downbeat.

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The Hollywood Reporter
28 August 2025 · Angie Han
40*

The critic calls it a relentlessly glum crime drama whose unrelenting misery flattens the characters despite strong craft and cast. Questions of forgiveness hang over the story but the point of watching remains unclear.

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Vulture
5 September 2025
40*

The critic finds that Task tests viewers' patience with its slow, predictable crime plot and generic elements. It singles out the strong ensemble performances and heartfelt family drama for praise amid the flaws.

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The Guardian
8 September 2025
30*

The critic finds the series a formulaic, relentlessly bleak and humourless box-ticking exercise that becomes boring and manipulative. It lacks the life, black humour and believable relationships of Mare of Easttown.

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IndieWire
4 September 2025 · Ben Travers

The critic calls the HBO series a powerful, kindhearted crime drama that will bring viewers to tears. It praises the emotional depth in the parallel stories of two tortured fathers and strong performances from the leads.

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Collider
28 August 2025 · 8/10 · Carly Lane
80

The critic finds the series a gritty, unrelenting crime thriller that serves as a bleak meditation on grief, faith, and revenge, anchored by strong performances from Mark Ruffalo and Tom Pelphrey along with a compelling ensemble. It differentiates itself from Mare of Easttown with its dual narrative and Sons of Anarchy-like grit but is held back by uneven pacing and some predictable tropes.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate