The reviews are uniformly positive about The Deuce, with praise centred on its convincing recreation of 1970s New York and the humanity of its large ensemble. Critics repeatedly pick out the period detail, vivid street life and attention to people working within the sex trade. Maggie Gyllenhaal’s performance as Candy draws particular approval, while the shifting relationships between characters give the social observation emotional force. Most critics find the treatment of power and exploitation substantial without sacrificing absorbing drama.
The differences are chiefly in enthusiasm rather than verdict, with no negative reviews in this selection. The Guardian finds the density occasionally bewildering and notes the discomfort of its portrayal of power and sexual violence. The Hollywood Reporter’s reservation is that the first season could use more episodes. The more restrained notices still value the authenticity and performances, so there is little evidence of a fundamental split.
