Most critics come away impressed. Eight of the eleven reviews are positive, and the praise clusters in two places: the performances of Emily Blunt and Chaske Spencer, whose chemistry is singled out again and again, and the cinematography, which nearly every critic mentions and several treat as the main reason to watch. A number also admire Hugo Blick’s ambition in reworking the Western, and a couple pick out Federico Jusid’s score.
The reservations are about the plot. Even the warmest reviews concede the story grows tangled, and the cooler ones make that the whole complaint: too many strands, a slack middle, supporting characters who pull focus from the central pair. The spread is wide, running from full marks to one outright dismissal. Variety finds the sprawl buries a compelling story, and Paste thinks the characters never gain any depth. Both, tellingly, still praise the leads.
