Critics’ reviews

The English (2022)

11 reviews from 11 publications. Critics’ score 75: 8 positive, 2 mixed, 1 negative.

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75
Positive
8
Mixed
2
Negative
1

Most critics come away impressed. Eight of the eleven reviews are positive, and the praise clusters in two places: the performances of Emily Blunt and Chaske Spencer, whose chemistry is singled out again and again, and the cinematography, which nearly every critic mentions and several treat as the main reason to watch. A number also admire Hugo Blick’s ambition in reworking the Western, and a couple pick out Federico Jusid’s score.

The reservations are about the plot. Even the warmest reviews concede the story grows tangled, and the cooler ones make that the whole complaint: too many strands, a slack middle, supporting characters who pull focus from the central pair. The spread is wide, running from full marks to one outright dismissal. Variety finds the sprawl buries a compelling story, and Paste thinks the characters never gain any depth. Both, tellingly, still praise the leads.

Evening Standard
10 November 2022 · ★★★★★ · Nick Clark
100

Clark calls the series magnificent, gripping entertainment, with only minor plot and dialogue quibbles. He especially praises Chaske Spencer’s riveting lead performance and the show’s striking cinematography.

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Empire
8 November 2022 · Boyd Hilton
90*

The critic calls the series a thrillingly fresh, ambitious Western and praises Emily Blunt’s performance. They also single out Hugo Blick’s operatic action sequences and vivid supporting characters.

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The Guardian
10 November 2022 · 5 out of 5 stars
90*

The critic calls the series a gorgeous, glorious new take on the Old West. They praise its sweeping, revelatory vision of a lawless land.

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IndieWire
10 November 2022 · B+ · Ben Travers
83

Travers finds the series sharply written and largely entertaining, though its plot can become overcomplicated. He praises the performances and the striking mix of graceful visuals, romance, and violence.

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The Hollywood Reporter
8 November 2022 · Daniel Fienberg
70*

Fienberg finds the series ambitious and worthwhile despite a convoluted, sloppy middle that keeps it from becoming truly special. He praises the striking cinematography and the performances and chemistry of Emily Blunt and Chaske Spencer.

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The AV Club
9 November 2022 · C+ · Saloni Gajjar
63

The review finds the series visually gorgeous but let down by convoluted plotting and slow pacing. It praises Emily Blunt’s immersive performance, while also highlighting Chaske Spencer’s quietly moving work.

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Variety
10 November 2022 · Caroline Framke
35*

Framke finds the series frustrating, with its many plotlines obscuring a compelling central story. She praises Blunt and Spencer’s chemistry and performances, but faults the sprawling supporting plots for disrupting the show’s rhythm.

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Collider
7 November 2022 · B+ · Maggie Lovitt
83

Lovitt finds the series compelling and moving, praising its humanity amid the brutality of the frontier. She singles out Federico Jusid’s sublime score, especially its use of Mazzy Star’s “Fade Into You.”

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/Film
11 November 2022 · Danielle Ryan
80*

Ryan finds the series compelling and powerful despite occasional confusion from its complex narrative. She praises the performances, especially Emily Blunt and Chaske Spencer, along with the dialogue and gorgeous cinematography.

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Consequence
7 November 2022 · Clint Worthington
70*

Worthington finds the miniseries flawed but bold, thrilling, and ultimately hard to look away from. He especially praises Chaske Spencer’s performance, alongside the show’s score and striking visual style.

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Paste
9 November 2022 · 6.7 · Shane Ryan
52*

Ryan finds the series intriguing but ultimately disappointing, with its writing and story unable to deliver on its promise. He praises the striking western vistas and Toby Jones’s standout performance, while criticizing the characters’ lack of depth.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate