Critics’ reviews

The Gold (2023)

10 reviews from 10 publications. Critics’ score 72: 6 positive, 2 mixed, 0 negative.

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72
Positive
6
Mixed
2
Negative
0

Most critics find The Gold a smart, entertaining crime drama, with praise clustering around its ensemble cast and the business of moving stolen gold after the robbery. The performances earn approval even from less persuaded reviewers; The Guardian singles out Jack Lowden as Kenneth Noye, alongside the production design. Several reviews admire the scope beyond the heist, tracing criminal enterprise into legitimate businesses and domestic lives, with class and wealth giving the story weight.

The reservations concern both storytelling and the treatment of the criminals. The i Paper finds the handling of class and gender too heavily signposted, while The Telegraph questions the drama’s admiration for its villains and reluctance to confront darker truths. The AV Club is markedly less persuaded than most critics, finding the writing stilted and the pacing erratic. The spread is appreciable: plotting that many find absorbing strikes the strongest dissenter as confusing and dull.

Evening Standard
6 February 2023
85*

The Gold is a truly smart British crime drama with a classic feel, a knockout cast and razor-sharp writing that achieves a smarter, more classic tone than typical British crime stories.

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Radio Times
12 February 2023 · James Hibbs
80*

The critic praises its originality, thematic depth on class and wealth, sprawling scope, and focus on domestic lives, calling it an ambitious evolution of the crime drama that is gripping throughout, though not perfect for everyone.

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The Independent
12 February 2023
80*

The series is pure primetime fun that bubbles with vigour, delivering smart British crime drama.

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Vulture
4 January 2024
80*

The series delivers prime genre pleasures of criminals, detectives, and their vivid underworld universe. It focuses effectively on the criminal enterprise built around fencing the stolen gold after a propulsive heist opening.

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The Guardian
12 February 2023
75*

The series is a diverting and hugely entertaining retelling of the Brink’s-Mat robbery and its aftermath. The production design and ensemble cast, especially Jack Lowden as Kenneth Noye, provide the main pleasures.

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The i Paper
12 February 2023 · Rachael Sigee
70*

The critic finds it a measured and well-executed drama that takes its time exploring the roots of the crime through the criminal underworld and legitimate businesses. It avoids Guy Ritchie traps but has some heavy sign-posting on class and gender.

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The Telegraph
12 February 2023 · ★★★
60

The stylish, well-told drama is superbly acted but undermined by its admiration for the villains and failure to confront darker truths about the crime.

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The AV Club
12 September 2023 · C- · Saloni Gajjar
50

The series fails to shine due to stilted storytelling, weak writing, erratic pacing, and disjointed execution that makes the fascinating true story boring and hard to follow. Standout performances from the ensemble cast provide the only real highlights amid the chaos.

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The Times
19 February 2023 · ★★★★☆ · Carol Midgley

It is a rollicking good drama, ingeniously written, with outstanding performances from Jack Lowden and Hugh Bonneville. The complex plotting around the gold laundering stands out.

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Paste
18 September 2023 · 9.0 · Shane Ryan

The critic calls the series an excellent, relentlessly watchable heist thriller that does justice to its unbelievable true story while crafting an intricately plotted and highly entertaining drama. The strong ensemble cast and the show's keen understanding of pace and character are singled out for praise.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate