Critics’ reviews

The Hour (2011)

7 reviews from 7 publications. Critics’ score 71: 5 positive, 2 mixed, 0 negative.

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71
Positive
5
Mixed
2
Negative
0

Most critics like The Hour, and the praise gathers in the same places. The 1950s BBC newsroom setting is admired almost everywhere, both for its period detail and for the premise it gives the writers. The performances are the other constant, with Ben Whishaw and Romola Garai singled out most often, Dominic West close behind, and Julian Rhind-Tutt noted among the supporting cast. Several reviews find the dialogue smart and the mix of newsroom drama and conspiracy thriller engaging enough to hook them.

The reservations are about pace and script. Critics describe the opening as slow and deliberate, holding plot back longer than it needs to, and more than one finds the writing uneven and the spy material predictable. The spread is narrow: nobody is negative, and the American reviews run warmer than the British ones. The Guardian is the most guarded, calling the first episode a mix of parts that does not yet feel fully formed or gripping.

The Hollywood Reporter
17 August 2011 · Tim Goodman
85*

The series is an absorbing showcase for British period drama strengths, with a compelling spy saga and nuanced personal relationships among the journalists. The critic singles out the smart dialogue, exceptional performances (especially Whishaw and Garai), and attractive 1950s design.

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The AV Club
18 August 2011 · B+ · Emily St. James
83

The pilot excels in its central character dynamics and sharp 1950s London aesthetic, evoking Broadcast News and Mad Men while standing on its own. It offers promise through strong performances and visual style despite some predictable spy elements and clunky moments.

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Variety
13 August 2011 · Brian Lowry
75*

An engrossing if slow-grinding mystery/soap that proves addictive, with smart writing, terrific looks and strong casting in its 1950s TV newsroom setting. The deliberate pace allows relationship development but leaves the audience in the dark on plot points for too long.

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The Times
27 July 2011 · Andrew Billen
70*

The drama is the tale of three newsroom idiots with a clunky script, but the strong premise of a 1950s BBC current affairs show outweighs the uncertain execution and adolescent elements. The period detail enchants and the supporting cast is strong.

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The Guardian
19 July 2011
50*

The series is a hotchpotch of newsroom drama, conspiracy thriller and period detail that doesn't yet feel fully formed or gripping after the first episode. It has intrigue and strong supporting performances, particularly Julian Rhind-Tutt, to whet the appetite despite a slow start.

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Den of Geek
18 July 2011 · Ryan Lambie
70*

The series opener delivers solid period detail and engaging lead performances from Ben Whishaw, Romola Garai and Dominic West in a mix of newsroom drama and conspiracy thriller. The script is uneven with some obvious dialogue, but it provides enough intrigue in its love triangle and mystery to hook viewers.

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Digital Spy
20 July 2011 · Alex Fletcher
65*

The premiere is not a Mad Men equivalent but succeeds as a newsroom drama blending conspiracy and murder mystery elements with strong character work, especially Romola Garai's Bel and her chemistry with Dominic West's Hector. Freddie's petulant arc and the loose plot connections provide intrigue for future episodes despite some familiar tropes.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate