Most critics respond warmly to This City Is Ours, with praise clustering around the performances and the attention paid to family, romance and the business of the cocaine trade. James Nelson-Joyce draws particular notice as Michael, whose emotional conflicts give the crime story weight. The favourable reviews find tension in shifting loyalties, but also value the space given to Michael and Diana’s relationship and to questions of masculinity beyond violence.
The spread is wide, with two strongly negative assessments challenging precisely the depth that others admire. The Guardian finds little heart or reason to care about the characters, despite strong performances from Bean and Graham. The i Paper goes further, finding the script implausible and its attempts to emulate The Godfather derivative. Even among the favourable reviews, some early plotting attracts reservations; the disagreement centres on whether these familiar gangland ingredients produce convincing human drama.
