Critics’ reviews

Wednesday (2022)

10 reviews from 10 publications. Critics’ score 62: 5 positive, 2 mixed, 2 negative.

Back to our review of Wednesday

62
Positive
5
Mixed
2
Negative
2

Most critics find something to enjoy in Wednesday, with praise clustering around Jenna Ortega’s glum delivery, sharp comic timing and ability to make the character her own. The more favourable reviews also welcome the dark humour and the energy of its supernatural school mystery. Even several reviewers who question the series’ direction regard its lead performance as a substantial strength.

The disagreement is over how much of the Addams Family survives the move into familiar teenage drama. Reservations centre on predictable plotting, diminished family relationships and a lack of the source material’s strangeness; some also find little distinctive in the production. The spread is wide: Collider sees a successful reinvention that retains the family’s heart and humour, while IndieWire finds a lifeless mixture of recycled ideas and teenage mystery conventions. The consensus is warmer towards Wednesday herself than towards the programme built around her.

The Guardian
23 November 2022
80*

The series is creepy, charming and features a lead who more than matches Christina Ricci. It has enough wit, charm and propulsive energy despite some losses in family dynamic and setting.

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The Telegraph
23 November 2022
75*

It is a spooky, kooky and delightfully dark mash-up of genres aimed at the young, with Ortega electrifyingly glum throughout making it worth watching.

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The Hollywood Reporter
18 November 2022 · Daniel Fienberg
70*

Jenna Ortega shines as a delightful antiheroine, making the character her own with sharp comic timing, though the series as a whole feels more like an average CW dramedy than a distinctive Burtonian vision, with strong potential for improvement in a second season.

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Variety
18 November 2022 · Caroline Framke
55*

Jenna Ortega delivers a magnetic performance as the teen Wednesday Addams, but the series loses the singular, viscerally strange Addams Family magic by leaning into predictable Netflix teen tropes and boarding-school mysteries. The critic singles out Ortega’s stoic yet thrillingly satisfied portrayal for praise while faulting the show’s failure to capture the family’s fierce loyalty or visual strangeness.

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IndieWire
18 November 2022 · Ben Travers
30*

The critic finds the series a trite teen murder-mystery that mixes old ideas with new genres to a lifeless result, conforming to standard teen TV tropes rather than capturing the Addams Family spirit.

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The Times
23 November 2022 · ★★★☆☆ · Joe Clay

Tim Burton and the Addams Family is a winning combination, but a lack of originality leaves a far more formulaic proposition than expected.

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Collider
18 November 2022 · A- · Arezou Amin
90

The series succeeds as a darker, more supernatural teen mystery while retaining the heart, humor, and kooky horror of the Addams Family. It especially shines through its strong, well-cast ensemble that brings fresh energy to the characters.

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Den of Geek
23 November 2022 · ★★★½ · Tony Sokol
70

The critic views the series as a promising opening season that normalizes outcasts while Tim Burton indulges Addams Family whims, turning Wednesday into a dark Nancy Drew who solves a monster mystery at school.

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Consequence
18 November 2022 · C · Clint Worthington
57

The series feels like neither a true Addams Family story nor a typical Tim Burton work, hampered by Netflix-style pacing, flat production values, and weak execution despite decent casting and Elfman’s score.

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/Film
18 November 2022 · Sarah Milner
30*

The writing is lazy with contrived plotting, inconsistent characters, and a Mary Sue protagonist; the series lacks identity and fails to capture the satirical appeal of the source material despite some visual flair from Burton.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate