Conclave is the thriller to start with from the last five years.
It is rare to see a thriller this tidy, and the pleasure of watching good actors in good rooms is real. Set it beside the 1970s conspiracy films it resembles and it is shorter, prettier and less angry 1. Watch it in company, because the arithmetic is more fun done aloud, and do not expect to remember the plot in a fortnight.
Missing keeps the first hour sharp about how the internet actually works, with a password reused across three accounts and a true-crime series playing in a corner of the screen 2. The tension holds at the airport and through the digging, but the script spends its plausibility once the twists begin to queue.
Last Breath turns a documentary into a lean procedural that stays as tense as the genre gets for its middle stretch 3. The calm voice on the radio carries the dread when air runs out on the seabed, though the people on either side of the accident remain sketched.
After these, A Haunting in Venice improves on its series by keeping to one building and a dozen people for 104 minutes 4. Avoid A House of Dynamite, where the repeated scenes turn fear into waiting 5.
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